The American musicologist, pianist and
conductor Joshua Rifkin studied with Persichetti at the Juilliard School
of music in New York, receiving his B.S. in 1964. He also studied with Gustave
Reese at New York University (1964-1966), at the University of Göttingen
(1966-1967), and later with Mendel, Lockwood, Babbitt, and Oster at Princeton
University, receiving his M.F.A. in 1969. He also worked with Stockhausen at
Darmstadt in 1961 and 1965.
Joshua Rifkin has won international acclaim as conductor, pianist, and
harpsichordist for performances of music ranging from Monteverdi to Stravinsky,
Bach to Richard Strauss, and Mozart to Gershwin, Copland, and the most recent
moderns. He led The
Bach Ensemble from 1978. He is noted for his research in the field of
Renaissance and Baroque music, but he became popular as a performer and
explicator of ragtime.
Joshua Rifkin has led and appeared as soloist with many prominent orchestras,
among them the English
Chamber Orchestra, the St. Louis Symphony, the San Francisco Symphony, the
Victorian State Symphony of Melbourne, the St. Paul, Los Angeles, Scottish: and
Prague Chamber Orchestras, the Haydn Orchestra of Bolzano and Trent, the
Jerusalem Symphony, the Solistas de México, the BBC Concert Orchestra, the
City of London Sinfonia,
the National Arts Centre Orchestra of Ottawa, and the Houston Symphony.
Beyond his work with
The Bach Ensemble,
Joshua Rifkin's activities in the world of early music have included an
enthusiastically received production of Monteverdi's L'Orfeo at
Switzerland's Theater Basel, the modern premiere of Alessandro Scarlatti's
Venere, Amore e Ragione in Chicago, Mozart's Requiem and
poly-choral Psalms of Henrich Schütz at the Utrecht Early Music Festival,
and guest appearances with the Ensemble Gradus ad Parnassum of Vienna, the
Schola Cantorum Basiliensis, and the St James's Baroque Players of London, as
well as recordings of Mozart's "Posthorn" Serenade and several Haydn
symphonies with the Cappella Coloniensis of Germany. Highlights with modern
orchestras and ensembles include staged performances of Stravinsky's L'Histoire
du soldat in the USA and Australia; the Melbourne premiere of Weill's Die
sieben Todsünden; the European and Canadian premieres of Gunther Schuller's
And They All Played Ragtime; Bach's St. Matthew Passion (BWV
244) in the 1911 version of Ivor Atkins and Edward Elgar; and the posthumous
premiere and first recording of Silvestre Revueltas's theater music Este era
un rey with the Camerata de las Americas.
Joshua Rifkin has taught in several universities, including Brandeis
(1970-1982), Harvard, New York and Yale. He is noted for his research in the
field of Renaissance and Baroque music, and contributed scholarly studies to
many publications in America and Europe, among them The Musical Quarterly,
Bach-Jahrbuch, The Journal of the American Musicological Society, Early Music
Magazine, 19th Century Music, The New Grove Dictionary of Music and
Musicians.
In 1999 the University of Dortmund, Germany, awarded Joshua Rifkin an honorary
doctorate for his contributions to Bach interpretation; he has also held guest
seminars, workshops, and master classes at universities and conservatories
throughout Europe and the USA. In the autumn of 2001 Joshua Rifkin makes his
debut at the Bayerische Staatsoper in Munich with a new production of Purcell's
Dido and Aeneas and Händel's Acis and Galatea.